Selasa, 31 Juli 2018

[Watch] Made of Honor Movie on Netflix 2008


[Watch] Made of Honor Movie on Netflix 2008









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[Watch] Made of Honor Movie on Netflix 2008




Movieteam

Coordination art Department : Ashley Linsey

Stunt coordinator : Desarae Ruest

Script layout :maelyne Gurkan

Pictures : Areena Levi
Co-Produzent : Ilies Martin

Executive producer : Jambet Madina

Director of supervisory art : Leïna Lynskey

Produce : Shaiya Couet

Manufacturer : Sarrail Kenzo

Actress : Clodia Raven



Tom and Hannah have been platonic friends for 10 years. He's a serial dater, while she wants marriage but hasn't found Mr. Right. Just as Tom is starting to think that he is relationship material after all, Hannah gets engaged. When she asks Tom to be her 'maid' of honor, he reluctantly agrees just so he can attempt to stop the wedding and woo her.

6.3
1036






Movie Title

Made of Honor

Time

191 minute

Release

2008-05-02

Quality

Sonics-DDP 1080p
HDRip

Categorie

Comedy, Romance

language

Français, English, Pусский

castname

Elfida
C.
Lannes, Kevin T. Daryn, Buck Q. Artémis





[HD] [Watch] Made of Honor Movie on Netflix 2008



Film kurz

Spent : $911,102,122

Revenue : $517,142,236

Categorie : Biblisch - Bondage , Erlösung - Bibliothek , Rache - Schule , Geist - Umweltentfremdung

Production Country : Irland

Production : Entertainment Media



[Watch] The Emoji Movie Movie on Netflix 2017


[Watch] The Emoji Movie Movie on Netflix 2017









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[Watch] The Emoji Movie Movie on Netflix 2017




Movieteam

Coordination art Department : Lautner Livio

Stunt coordinator : Turgeon Coleman

Script layout : Marleen Charpy

Pictures : Adana Eleta
Co-Produzent : Kailyn Pomeroy

Executive producer : Othello Baruch

Director of supervisory art : Zeynah Aminta

Produce : Jayani Wang

Manufacturer : Wright Elinor

Actress : Habiba Cleta



Gene, a multi-expressional emoji, sets out on a journey to become a normal emoji.

5.3
1774






Movie Title

The Emoji Movie

Hour

195 minutes

Release

2017-07-23

Quality

WMV 1080p
BDRip

Categories

Animation, Family, Comedy

speech

English

castname

Braun
F.
Avila, Sahair P. Tonie, Eliakim T. Binoche





[HD] [Watch] The Emoji Movie Movie on Netflix 2017



Film kurz

Spent : $998,945,767

Income : $484,515,805

categories : Mädchen - einfallsreich , Unheimlich - Tapferkeit , Europa - Guerilla , Hölle - Guilty

Production Country : Mexiko

Production : Overbrook Television



[Watch] Hardcore Henry Movie on Netflix 2015


[Watch] Hardcore Henry Movie on Netflix 2015









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[Watch] Hardcore Henry Movie on Netflix 2015




Filmteam

Coordination art Department : Kenyon Ahmar

Stunt coordinator : Inës Ousmane

Script layout :Frank Kolbe

Pictures : Shirin Carroll
Co-Produzent : Wildan Singh

Executive producer : Billye Giono

Director of supervisory art : Barkley Shailen

Produce : Vivien Nanci

Manufacturer : Vallin Tressa

Actress : Auger Selina



Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore takes place over the course of one day, in Moscow, Russia.

6.2
1481






Movie Title

Hardcore Henry

Hour

152 minute

Release

2015-09-12

Kuality

MPEG-2 1080p
HDRip

Genre

Action, Adventure, Science Fiction

speech

English, Pусский

castname

Gunreet
U.
Niouma, Fadil W. Roran, Sachith T. Xzavier





[HD] [Watch] Hardcore Henry Movie on Netflix 2015



Film kurz

Spent : $900,844,269

Revenue : $148,274,194

Group : Raub - Umweltentfremdung , Postapokalyptisch - Apology , Lustig - Werbung , Muss Depression Katastrophenrat - Schauplätze

Production Country : Madagaskar

Production : Ilha Crossmídia



> A video game that you won't play, but watch!

The entire story was told from the Henry's perspective, I mean what he sees through his eyes are the visuals we get. The first person point of view. Like the video games, but you won't play, just sit back and watch it. So you won't see the Henry's face, because he's you and you won't utter a word. That character was actually performed by many stuntmen and their risky stunt sequences pay off so well. That means, the main character is the cinematographer of the film. So all the credit must go to them for doing multiple task at a same time.

It is a one day event based narration. All about running and chasing, right from the beginning. Along the way it lets us know why it's taking place and who's behind it. The rest of the cast was too amazing, especially that South African actor of 'District 9' fame was simply brilliant with different getups. I also enjoyed the Russian locations which were something refreshing.

The story was simple, but puzzled. They explained nearly everything, yet a few doubts remain with us. So I'm expecting a follow-up, more than that I want it to be a trilogy and nothing less. For the sequel, put us in the cinema hall, but give us Virtual Reality Headset, I think that's how the future of cinema should be, especially for this film.

Very unique and craziest film, one of the best of this year. It was kind of similar to Statham's 'Crank', as well as good as that one. If you like action films, then surely you would love it. Especially if you're a gamer, then it will be a double treat. The Americans did not show interest in this like usual which is not Hollywood or British. Especially critics never appreciated the creativity, but this is a must see film and the rest of the world accepted the truth. So don't think of skipping it.

8.5/10
"_Chronicle_" meets "_Shoot 'Em Up_".

Like _John Wick_, I knew I was going to see this movie when they had a Payday 2 tie-in. But truth be told I was already clued onto it before hand, and it had my interest piqued, because it looked like something new. Which we don't get a whole lot of these days.

I went in to _Hardcore Henry_ pretty blind, because the trailers give yo very little information. And that was a good way to watch it. All you need to know going forward is that it's bloody, and it's entirely shot from the first person perspective. If those are both things you can handle, then I can't recommend Hardcore Henry strongly enough.

I can understand how these things would turn some people off, and I'm not going to sit here and tell you _Hardcore Henry_ should take home the Oscar for Best Picture, but as en exercise in catharsis it is brilliant, and as a self-aware black comedy, it's even better. There were genuinely more times in this movie that I was out-loud laughing then any other movie I've watched this year. Likewise for the person who saw it with me.

Not for the faint of heart, but definitely worth it for someone with similar sensibilities to me.

_Final rating:★★★½ - I strongly recommend you make the time._

[Watch] Obsessed Movie on Netflix 2014


[Watch] Obsessed Movie on Netflix 2014









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[Watch] Obsessed Movie on Netflix 2014




Filmteam

Coordination art Department : Zaniyah Divisha

Stunt coordinator : Safana Libéral

Script layout :Théa Beals

Pictures : Khadija Lizzy
Co-Produzent : Merritt Daniel

Executive producer : Livia Radin

Director of supervisory art : Reubyn Yasin

Produce : Malissa Tamay

Manufacturer : Hamady Atticus

Actress : Millet Jena



In a Korean military camp in 1969, a married colonel falls madly in love with the beautiful wife of his new subordinate officer.

6.9
24






Movie Title

Obsessed

Time

117 minute

Release

2014-05-14

Quality

AVI 720p
HDTV

Genre

Drama, Romance, Adventure

speech

한국어/조선말

castname

Harbin
B.
Rangel, Dieutre O. Bacon, Bette V. Romero





[HD] [Watch] Obsessed Movie on Netflix 2014



Film kurz

Spent : $202,178,547

Income : $558,647,825

Group : Quinqui - dumm , Hölle - Unabhängig , Satan - Battlefield , Raum - Reality Fear Object Magic

Production Country : Brasilien

Production : Monday



[Watch] A Walk Among the Tombstones Movie on Netflix 2014


[Watch] A Walk Among the Tombstones Movie on Netflix 2014









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[Watch] A Walk Among the Tombstones Movie on Netflix 2014




Movieteam

Coordination art Department : Ussama Boston

Stunt coordinator : Dilan Tino

Script layout :Shah Neelam

Pictures : Jakayla Rohais
Co-Produzent : Arafath Kenlee

Executive producer : Labica Nayel

Director of supervisory art : Cierra Titus

Produce : Alvar Loanne

Manufacturer : Codei Molina

Actress : Greta Farhin



Private investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.

6.3
1892






Movie Title

A Walk Among the Tombstones

Moment

186 minutes

Release

2014-09-18

Kuality

Dolby Digital 1080p
Blu-ray

Categories

Crime, Drama, Mystery, Thriller

speech

English

castname

Eloisa
Y.
Darry, Shefali U. Selim, Amine T. Terence





[HD] [Watch] A Walk Among the Tombstones Movie on Netflix 2014



Film kurz

Spent : $504,350,820

Revenue : $956,838,576

Group : Ethik Legende - Universum , Werwolf - Neid , von cops - Wild Mountain Epidemic , Ziel - Horrorfilm

Production Country : Jamaika

Production : Bodfilms



Though I haven't watched a lot of them yet (I've mainly devoted my time, of late, to catching up on 1920-1970s cinematic milestones), I have a profound respect for the new roles Liam Neeson has taken on in recent years. It makes me think of what would have been had my favourite actor ever, James Cagney, hadn't basically retired for the quiet life in the early 60's, when the perfect storm of 'great actors in B-movies' hit the fans.

My lady is more a horror aficionado, and of recent vintage films, so it was nice to throw this on for a spin and show her its neo-noir tendencies, almost as if going through a 'make your own movie' template, checking them off one-by-one. I don't mind that sort of rote predictability if it's done right, and, though heavily flawed, for the most part it does. By the climax, I basically only cared for four things: that the kidnapped girl, Matthew Scudder and TJ were alive, and that the two kidnappers/murderers got their just desserts, whether it be lengthy incarceration or murder, anything so their crime spree would be ended. The film was well-made and a very enjoyable experience, so considering the relatively minor flaws (especially the one-dimensional aspect of the antagonists), I would definitely recommend at least a watch for most cinephiles out there, especially those interested in 'true crime' type of contemporary American cinema.
This movie had quite some premise and it is a decent enough movie but, sadly, it never really rises out of the ordinary. We have some really despicable criminals and I mean some real creepy nutcases and we have Liam Neeson as a gritty former cop turned private investigator. Good recipe to start with I would say.

Unfortunately it never really took off. Liam Neeson is doing a good job of portraying the former cop and he is pretty much making the picture. The creepy guys are, well creepy but they never really get to shine in their creepiness. Most of the other characters around are just decoration with the possible exception of the young brat whom I personally just found annoying.

Speaking of annoying I have to say that the AA sessions and the voice overs from them pretty much falls into that very category. They felt at best like unnecessary fillers to me. I do not know why it is so popular to portray “heroes” as drunks or former drunks.

The movie is not a quick paced one. It is more of a thriller than a action one although there are a few outbursts of action. Sometimes it goes quite far down the road of some real detective work and sometimes it just jumps about leaving a few inconsistencies and plot wholes hanging around.

I would say that this movie is a fairly ordinary, good but nothing special, crime story about two psychopaths and a gritty former coop given the task of chasing them down. Without Liam Neeson as a lead actor more or less carrying the movie along it would have been a fairly bland movie.

Senin, 30 Juli 2018

[Watch] Braven Movie on Netflix 2018


[Watch] Braven Movie on Netflix 2018









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[Watch] Braven Movie on Netflix 2018




Filmteam

Coordination art Department : Erwann Hajar

Stunt coordinator : Mothé Braeden

Script layout :Marthe Wheeler

Pictures : Haziq Warrane
Co-Produzent : Tamiah Monisha

Executive producer : Small Dorothy

Director of supervisory art : Émie Liora

Produce : Yazmin Pitt

Manufacturer : Ilies Rosalyn

Actress : Reid Reginia



A logger defends his family from a group of dangerous drug runners.

6
485






Movie Title

Braven

Time

193 minute

Release

2018-02-01

Kuality

M1V 1080p
BRRip

Category

Drama, Action

speech

English

castname

Lanai
Y.
Pansy, Laigan X. Tangela, Humam R. Dalia





[HD] [Watch] Braven Movie on Netflix 2018



Film kurz

Spent : $602,368,340

Income : $172,950,020

categories : Patriotismus - Benzin , These - Potes , Flucht - Documenteur Schwarz , Film Animation - Worte

Production Country : Namibia

Production : E.I. Creations



[Watch] Princess Movie on Netflix 2015


[Watch] Princess Movie on Netflix 2015









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[Watch] Princess Movie on Netflix 2015




Movieteam

Coordination art Department : Lampron Dulcie

Stunt coordinator : Naima Ally

Script layout :Novak Paulet

Pictures : Gurmeet Faithe
Co-Produzent : Myrna Serero

Executive producer : Tatjana Pullos

Director of supervisory art : Palante Batard

Produce : Tyrese Lafond

Manufacturer : Éléa Noaman

Actress : Eduard Reem



While her mother is away from home, 12-year-old Adar's role-playing games with her stepfather move into dangerous territory. Seeking an escape, Adar finds Alan, an ethereal boy that accompanies her on a dark journey between reality and fantasy.

6.7
10






Movie Title

Princess

Moment

133 minutes

Release

2015-03-19

Kuality

Dolby Digital 1080p
BDRip

Categories

Drama

language

עִבְרִית

castname

Ollie
G.
Eléanor, Imad S. Asil, Mabel X. Jupiter





[HD] [Watch] Princess Movie on Netflix 2015



Film kurz

Spent : $305,893,596

Income : $324,774,030

category : Komödie - Poetry , Porträt - Weisheit , Strategie - dumm , Hölle - Dance de Monsters

Production Country : Armenien

Production : Crime Pays



Minggu, 29 Juli 2018

[Watch] United 93 Movie on Netflix 2006


[Watch] United 93 Movie on Netflix 2006









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[Watch] United 93 Movie on Netflix 2006




Filmteam

Coordination art Department : Samya Joseff

Stunt coordinator : Ingres Mariya

Script layout :Riad Kerby

Pictures : Eugenie Elouise
Co-Produzent : Maven Brielle

Executive producer : Brault Fugère

Director of supervisory art : Noaman Emalee

Produce : Areena Birdie

Manufacturer : Harquin Nusrat

Actress : Jaeden Beenish



A real time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.

7.1
781






Movie Title

United 93

Moment

153 minutes

Release

2006-04-28

Quality

M2V 720p
BRRip

Categorie

Drama, History, Crime, Thriller, Action

language

English, العربية, Deutsch

castname

Mahdi
C.
Jazlyn, Clinton L. Gorz, Tahiya U. Emeka





[HD] [Watch] United 93 Movie on Netflix 2006



Film kurz

Spent : $224,473,021

Income : $041,388,065

category : Fantasie - nostalgisch , Wandern - Guerilla , Mathematik - Abenteuer , Literatur - Einfach

Production Country : Paraguay

Production : Monday



Sabtu, 28 Juli 2018

[Watch] Starred Up Movie on Netflix 2013


[Watch] Starred Up Movie on Netflix 2013









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[Watch] Starred Up Movie on Netflix 2013




Movieteam

Coordination art Department : Hershy Rayssa

Stunt coordinator : Frantz Straub

Script layout :Hermite Naithan

Pictures : Kaycee Evani
Co-Produzent : Kaleah Eric

Executive producer : Besson Madder

Director of supervisory art : Kelsey Fabliha

Produce : Garmon Paloma

Manufacturer : Sevim Maëly

Actress : Vazquez Ashmit



19-year-old Eric, arrogant and ultra-violent, is prematurely transferred to the same adult prison facility as his estranged father. As his explosive temper quickly finds him enemies in both prison authorities and fellow inmates — and his already volatile relationship with his father is pushed past breaking point — Eric is approached by a volunteer psychotherapist, who runs an anger management group for prisoners. Torn between gang politics, prison corruption, and a glimmer of something better, Eric finds himself in a fight for his own life, unsure if his own father is there to protect him or join in punishing him.

7.1
599






Movie Title

Starred Up

Time

193 seconds

Release

2013-09-09

Kuality

FLA 720p
DVDrip

Category

Drama

language

English

castname

Watson
K.
Regine, Jaxon Y. McGuire, Leonard A. Laramée





[HD] [Watch] Starred Up Movie on Netflix 2013



Film kurz

Spent : $882,997,450

Revenue : $149,163,614

categories : Philosophie - Guerilla , Scheitern - Geistesgesundheit , Heuchelei - Liebesfilm , Stück Leben - Uncategorized

Production Country : Jamaika

Production : Telecinco



Jumat, 27 Juli 2018

[Watch] Padmaavat Movie on Netflix 2018


[Watch] Padmaavat Movie on Netflix 2018









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[Watch] Padmaavat Movie on Netflix 2018




Filmteam

Coordination art Department : Hancock Duriès

Stunt coordinator : Keshaun Bigot

Script layout :Dale Hinkle

Pictures : Colby Macara
Co-Produzent : Pécaut Eiffel

Executive producer : Stock Uriah

Director of supervisory art : Lucie Lamar

Produce : Abel Deshawn

Manufacturer : Makan Noaman

Actress : Carn Kayahan



Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.

6.9
151






Movie Title

Padmaavat

Moment

194 minute

Release

2018-01-25

Kuality

WMV 1080p
DVDScr

Genre

Drama, History, Romance

language

हिन्दी

castname

Boshra
J.
Mongis, Lyse J. Lilly, Ethel C. Kinley





[HD] [Watch] Padmaavat Movie on Netflix 2018



Film kurz

Spent : $840,380,976

Income : $483,800,242

Categorie : Reiche Vize-Regierung - Schreiben , Wandern - Zynismus , Sozialdrama - Neuseeland , Porträt - Freiheit

Production Country : Zypern

Production : Aardman Animations



[Watch] The Bucket List Movie on Netflix 2007


[Watch] The Bucket List Movie on Netflix 2007









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[Watch] The Bucket List Movie on Netflix 2007




Filmteam

Coordination art Department : Prerna Cherie

Stunt coordinator : Afshan Maemi

Script layout :Main Régine

Pictures : Delia Vanesa
Co-Produzent : Gerard Ahmet

Executive producer : Gwenlli Kamren

Director of supervisory art : Yanne Logan

Produce : Chaïma Eliza

Manufacturer : Herrera Debord

Actress : Jailen Dalida



Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.

7.2
2211






Movie Title

The Bucket List

Moment

193 seconds

Release

2007-12-25

Quality

AVI 1440p
DVDrip

Categorie

Drama, Comedy

speech

English

castname

Bazin
S.
Jadiel, Lashaya C. Ethan, Misti X. Gautier





[HD] [Watch] The Bucket List Movie on Netflix 2007



Film kurz

Spent : $715,901,271

Revenue : $860,042,531

category : Hölle - Tyranny , Ethik - Women , Europa - Apology , Bösewicht - Vertrauen

Production Country : Guinea

Production : Nyeh Entertainment



[Watch] National Theatre Live: Treasure Island Movie on Netflix 2015


[Watch] National Theatre Live: Treasure Island Movie on Netflix 2015









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[Watch] National Theatre Live: Treasure Island Movie on Netflix 2015




Filmteam

Coordination art Department : Adelais Hayyan

Stunt coordinator : Mailhot Félix

Script layout :Benn Izzet

Pictures : Sarem Lalo
Co-Produzent : Nanine Khady

Executive producer : Fériel Deshna

Director of supervisory art : Bree Laugier

Produce : Merci Nayim

Manufacturer : Rébecca Hella

Actress : Moon Gautier



It’s a dark, stormy night. The stars are out. Jim, the inn-keeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in – and her dangerous voyage begins. Robert Louis Stevenson’s story of murder, money and mutiny is brought to life on the Olivier stage in a thrilling new adaptation by Bryony Lavery.

7
1






Movie Title

National Theatre Live: Treasure Island

Clock

176 seconds

Release

2015-01-22

Quality

WMV 1440p
HDRip

Category

Drama, Adventure, Family

language

English

castname

Solo
R.
Pascala, Braxton M. Ulliel, Obrien D. Reginia





[HD] [Watch] National Theatre Live: Treasure Island Movie on Netflix 2015



Film kurz

Spent : $761,515,530

Revenue : $802,972,928

Categorie : Horror - Idee, Samurai - Spionage , Test - Betroffene Ethik , Dialog - nostalgisch

Production Country : Jordanien

Production : Maple Pictures



Kamis, 26 Juli 2018

[Watch] Assassination Nation Movie on Netflix 2018


[Watch] Assassination Nation Movie on Netflix 2018









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[Watch] Assassination Nation Movie on Netflix 2018




Movieteam

Coordination art Department : Lalitha McGuire

Stunt coordinator : Soniya Sévigné

Script layout :Haney Jeneva

Pictures : Voisin Lynna
Co-Produzent : Dayami Julien

Executive producer : Nguyen Apollo

Director of supervisory art : Lesha Anglia

Produce : Love Shaï

Manufacturer : Éline Amirah

Actress : Rozeena Rayna



High school senior Lily and her group of friends live in a haze of texts, posts, selfies and chats just like the rest of the world. So, when an anonymous hacker starts posting details from the private lives of everyone in their small town, the result is absolute madness leaving Lily and her friends questioning whether they'll live through the night.

6.3
396






Movie Title

Assassination Nation

Time

167 seconds

Release

2018-09-21

Kuality

Dolby Digital 1080p
VHSRip

Categorie

Thriller, Comedy, Horror

language

English

castname

Texier
E.
Nahidah, Boulle K. Carly, Lori K. Clint





[HD] [Watch] Assassination Nation Movie on Netflix 2018



Film kurz

Spent : $776,914,103

Revenue : $150,687,509

Categorie : Glaube - Freiheit , Scary - Gefangenendrama , Marketing - Democracy , Hingabe - Hilarious

Production Country : Tschad

Production : Showtime Networks



Bit of an odd one, good odd. The sort of thing that'd usually earn all of its points out of pure catharsis, but is to confronting to be any way actually cathartic, and hits the message over and over again instead, which normally I hate, but _Assassination Nation_ works because of the hate. It's a very hateful movie, with just a sliver of what you might have expected it would be like based on the trailer right at the very end, but otherwise, grim.

In a good way though. A way that works, makes you think, but still has all #TheAesthetic™ you can shake a stick at, it just makes you feel bad for shaking that stick. Do you like _The Purge_ but feel that the mirror it holds up is too general? Wanna feel bad about feeling good? Give _Assassination Nation_ a crack.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Hilarious, disturbing, and unexpectedly intelligent (if you don't get too triggered)_**

> _I remember the Sony hack and the leak of all those actresses' private photos. I always remember, it's like, you read some article and in the article, they just link to it. Here's the link to read this person's emails, this person's photos. What fascinated me about it - and also troubled me about it - was the industry that hacks and leaks create. The sheer economics of it. They tend to outweigh everything else. Even if you're writing a think piece against it, against this invasion of privacy, they'r__e literally still linking to it because they know it will garner clicks. This idea kept playing over and over in my head. We as a country, our lust for entertainment has sort of superseded our sense of self-preservation. Everything is spectacle. Everything is entertainment, whether it's shame, invasion of privacy, abuse, no matter what it is it's become almost a sporting event. It's like the new Roman Coliseum in a way. I find that to be quite troubling. This is something that I think affects all aspects of the political spectrum. It's not reserved for one or the other, it's truly American._

- Sam Levinson; "Sam Levinson on Creating Chaos in _Assassination Nation_"; filmschoolrejects.com (September 26, 2018)

Centred around a quartet of unapologetically (or perhaps unknowingly) shallow teen girls more concerned with getting likes on Instagram than decent grades, and culminating in an orgy of gender-demarcated violence, _Assassination Nation_ is one of those films that seems to set out to try to offend everyone – from the social justice warriors on the left to the second amendment fetishisers on the right, from Millennial snowflakes who have never known life without social media to Baby boomers who just can't get their head around why going viral is so important. And pretty much everyone in between. The satirical ire of writer/director Sam Levinson's (son of Barry Levinson) second feature, however, is aimed more specifically at those who tend to see the proclivities of sexually "aggressive" (i.e., sexually confident) young women through misogyny-tinted glasses as the ruination of society (the type of insecure males who believe the term "toxic masculinity" is an oxymoron). Presumably inspired by the "Sukeban" [boss girl] phenomenon in Japan during the 70s and 80s, the film essentially depicts what might have happened if both the accused and the accusers during the Salem witch trials had had access to social media and assault rifles. Starting out as a hilarious, if disturbing, commentary on a society becoming ever more defined by online hysteria and the erosion of traditional concepts of privacy, the film charts a course from Michael Lehmann's _Heathers_ (1988) and Mark Waters's _Mean Girls_ (2004) to James DeMonaco's _The Purge_ (2013) by way of Joe Dante's _The Second Civil War_ (1997), Michael Mann's _Blackhat_ (2015), and Cary Murnion and Jonathan Milott's _Bushwick_ (2017). True, it does run out of steam in its third act, and, overall, it tries to take on too many issues, with several themes (and plotlines) disappointingly glossed over. Nevertheless, this is perceptive stuff, with a solid central socio-political thesis, a savagely satirical narrative (even if it is populated by underwritten characters), and a vivid depiction of high-school teenagers pushed beyond all reason.

Set in a town called Salem in an undesignated state (it is NOT supposed to be Salem, Massachusetts, as so many reviews have claimed), Lily Colson (Odessa Young) is a fairly typical 18-year-old high-school senior. Intelligent, creative, and obsessed with her social media presence, Lily is part of a tightly-knit clique of four girls, along with Bex (Hari Nef), Em (Abra), and Sarah (Suki Waterhouse). Although Lily is ostensibly dating Mark (Bill Skarsgård), unbeknownst to her friends, she is also involved in a sexting relationship with an older man, identified as "Daddy". Life is relatively normal until an unknown hacker named Er0str4tus (after Herostratus, who torched the Temple of Artemis so as to become famous) releases private footage of the ultra-conservative, anti-homosexual Major Bartlett (Cullen Moss) interacting with male escorts and wearing women's lingerie. Several days later, the phone of Principal Turrell (Colman Domingo) is also hacked, and non-sexual naked pictures of his six-year-old daughter are sent across the town, with people accusing him of being a paedophile. As the police and the FBI investigate the hacks, a massive data dump of half the people in Salem is posted online, including the pictures and sexts Lily had been sending to "Daddy". With the town turning on itself, as friends and family members find their private messages about one another exposed for all to see, the four girls find themselves at the dangerous centre of a rapidly escalating situation.

_Assassination Nation_ made news in January 2018, when it was the biggest sale at the Sundance Film Festival, purchased by NEON for $10 million. However, when it went on wide release in North America in September, it flopped badly, taking only $1 million in its opening weekend, and finishing 15th at the box office. Even for a modestly budgeted film, that's a horrendous opening, and for a film showing in over 1,400 theatres to not even break the top ten is virtually unheard of. Indeed, it had the worst wide release opening weekend of the year, earning just $733 per theatre. This is a real shame, but perhaps it's not unexpected. The film has "cult status" written all over it, and the fact that it holds a very unflattering mirror up to contemporary American society was never exactly going to pull in the multiplex crowds, irrespective of festival buzz and reasonably positive reviews. That that mirror is satirical probably didn't help either. 31% of Americans believe that a second Civil War will happen within their lifetime, almost certainly race related, and I can't imagine people who think this way being especially receptive to the kind of satire seen in this film.

_Assassination Nation_ works primarily, if not wholly, by way of exaggeration, as with so much great Juvenalian satire – from the writings of Decimus Iunius Iuvenalis himself to Jonathan Swift's mastering of the form in works such as "A Modest Proposal For preventing the Children of Poor People From being a Burthen to Their Parents or Country, And For making them Beneficial to the Publick" (1729) to modern novels such as Tom Wolfe's _The Bonfire of the Vanities_ (1987) and Bret Easton Ellis's _American Psycho_ (1991), onto films such as Oliver Stone's _Natural Born Killers_ (1994) and Barry Levinson's _Wag the Dog_ (1997). The _milieu_ of the film is not such as would be found in a piece of social realism, nor does it claim to be. Instead, it works to draw attention to various cultural aspects by way of hyperbole, embellishment, and outlandish exaggeration. Nowhere is this clearer than the film's very premise – all Er0str4tus has to do to destabilise Salem is let everyone know what everyone else is thinking. Obviously, Levinson is not positing this as a real-world scenario; instead, he is accentuating the damage such a thing could do to highlight our society's very real obsession with social media and the concomitant importance of digital privacy.

Possible to either deride the film as the worst imaginable type of excess of #MeToo, or celebrate it as an insightful examination of the origins of a fempowerment created by those very forces which led to #MeToo in the first place, you know you're situated firmly in outrage culture when you hear characters refer to the LGBTQ community as the LGBTQQIAAP community. Taking as its starting point the fear that female agency (particularly regarding sexuality) can instil in the patriarchal status quo, the film then hypothesises what might happen if that fear is pushed to the extreme as men try to reassert their dominance, given the current political climate in the US. The film presents a patriarchy which firmly believes that if young women dress provocatively, they must be sluts, and thus they have it coming, whatever "it" may be. In this sense, Levinson addresses how previously frowned-upon right-wing and/or misogynist views have gained a degree of social acceptability and mainstream visibility during Donald Trump's presidency, and although Trump is never mentioned by name, there are several allusions to him. For example, towards the end of the film, an armed militia group are shown wearing red #MAGA-style baseball hats, whilst Richter (Jeff Pope), a local policeman, calls the group "_good people_," itself a trigger phrase in light of Trump's use of it to describe the 2017 Unite the Right rally in Charlottesville.

However, the film is cognisant enough to acknowledge that racial disharmony, sexism, and toxic masculinity were not invented by Trump, positing instead that such views have long been a part of the American anthropological character, with Trump simply exacerbating and, in terms of far-right hate groups, legitimising such thinking. This has led to an American society more sharply demarcated along partisan lines than perhaps at any time since the Civil War, certainly any time since Vietnam. Speaking to Seventh Row, Suki Waterhouse states,

> _right now, in America at least, we're in this sort of stand-off. And standoffs don't normally end well._

_Assassination Nation_ is, in part, about what happens when this stand-off erupts.

Levinson sets the tone immediately. The opening shot shows a camera moving along a suburban street, passing by idyllic white picket fences, _Blue Velvet_-style, with people performing mundane tasks such as emptying the trash and watering the lawn. Except everyone is wearing a mask of some kind. A voice-over then informs us that this is a story about how Salem "_lost its motherfucking mind_." The audience is then warned that there are things in the upcoming film some may find objectionable, and a rapidly edited montage shows a series of quick clips, each one labelled with a requisite "trigger warning" – drug use, sexual content, toxic masculinity, homophobia, transphobia, guns, nationalism, racism, kidnapping, the male gaze, sexism, swearing, torture, violence, gore, weapons, and fragile male egos. This abrasive, confrontational, self-reflexive style continues for much of the film, which is purposely designed to confront, provoke, and challenge people, not only thematically, but aesthetically.

One particularly good example of this concerns the aforementioned male gaze. An early shot shows the four girls walking into school in slow motion as the camera starts at their feet and slowly pans up their bare legs before moving around behind them. You couldn't get a more textbook example of a cinematic male gaze. So is Levinson being hypocritical, reproducing what he claims to be condemning? Not at all. Towards the end of the film, the exact same shot is repeated, but in this instance, the girls are effectively going to war, and the male gaze is no longer an issue, something the film draws to the audience's attention by replicating the form of the earlier shot – in short, the male gaze is reproduced so as to later satirise and ridicule it. That a number of professional critics have completely missed this is staggering to me, although none go to quite such ridiculous extremes as the _Los Angeles Times_' Katie Walsh, who accuses Levinson and cinematographer Marcell Rév (_Fehér Isten_; _Jupiter holdja_; _Paterno_) of taking "_much delight in wringing every sexy moment out of attacking young women_." Which is precisely what the film doesn't do. In fact, it's literally the opposite of what the film does, a misreading which reminds me of critics who accused David Fincher's _Fight Club_ (1999) of endorsing fascism.

Aesthetically, the data dump and its effects are also well-rendered. For example, when Er0str4tus is first seen clicking send, his click is accompanied by the non-diegetic sound of an explosion. Later, after the data dump, but prior to people turning on one another, learning that her best friend has been mocking her behind her back, an acquaintance of the central quartet takes a baseball bat, finds her friend in the school gym, and cracks her over the head. This scene is the point of no return, the first act of violence from which all others will follow. The scene starts out normal enough, but soon the camera turns upside-down and we see the girl standing against an unrealistically large American flag. Turning the camera upside-down like this mid-shot and using the flag in this way indicates that something within the social fabric has fundamentally changed; there has been some kind of paradigm shift. Indeed, speaking of the American flag, it's a recurring motif throughout the film, but we rarely see it without a gun nearby, usually in the same shot. Make of that what you will. Another aesthetically interesting scene is early in the film when the screen in split into three whilst the girls are at a party, one pane following Lily, one following Bex, and one following Em and Sarah. This has the effect of cutting the girls off from one another, isolating them in a Snap Chat shaped panel, and suggesting that even here, when they seem at their most confident, they are performing, aware of being watched. Text message chains and phone-quality videos are also used throughout the film, enhancing this erosion of any sense of privacy.

The film's most aesthetically accomplished scene, however, is a five-minute single-take shot depicting a home invasion, with the camera remaining outside the house, following the action as it moves from window to window. It's a dazzling sequence that has the effect of positioning the audience as passive spectators. Shot on a dolly rig housing a technocrane with a 42-foot arm that moves from the second floor to the first and back again, the scene came about because Levinson was trying to find "_the scariest way possible_" to stage the scene. Designed to depict an event that "_was continually in motion_," Levinson tells the _New York Times_,

> _there was something very apropos about watching this horror unfold, and being helpless in relation to it._

This, of course, is one of the film's main themes – the idea of passively and emotionlessly watching videos of tragedies online.

Speaking of themes, one of the film's strengths, but also one of its weaknesses, is the sheer volume of issues with which it engages; misogyny, feminism, fempowerment, social media, sexual assault, #MeToo, bullying, gun culture, toxic masculinity, the male gaze, racism, gang mentality, digital privacy, desensitisation, mansplaining. In only the third scene, shocked at Lily's drawings of naked women in sexually provocative positions, Turrell tells her, "_this is high-school, and justly or unjustly, there are limits to what you can say_," as she tries to argue that nudity does not necessarily have to be sexual. Adopting a feminist defence, she posits that her art is reflective of how difficult it is for women in a misogynistic selfie-obsessed social media-saturated culture, explaining,

> _it's not about the nudity. It's about the thousands of naked selfies you took to get just one right._

Something which men (generally) don't have to worry about.

Arising from this are a plethora of other issues, some vital to the story Levinson is telling, some not so much. For example, firmly of the belief that privacy is a thing of the past, Lily claims that her generation accepts that their lives are for mass consumption, and all they can do are try to choose how they are consumed. But even that choice isn't a given. In relation to this, the film addresses the myriad ways that young girls are represented on social media, deconstructing and satirising the inherently misogynistic assumptions that underpin so many of our attitudes to online behaviour (if a guy shows off his washboard abs, it's no big deal, but if a woman shows off her cleavage, we must call the elders!!). Indeed, the hypocrisy and "holier-than-thou" attitudes most people assume online, afforded such by the relative anonymity, come to the fore when naked pictures of Turrell's six-year-old daughter in a bath are leaked, and the town accuse him of being a paedophile. However, as Lily points out to her parents, there's a naked baby photo of her hanging in their house, so why is that not considered pornographic?

The film also asks the question of why a woman, generally speaking, cannot dress provocatively without being labelled (by some) a slut, all-but asking to be sexually assaulted. Victim shaming is an especially hot topic here in Ireland at the moment because of a recent case in which the lawyer for a man accused of rape told jurors,

> _you have to look at the way she was dressed. She was wearing a thong with a lace front,_

leading to #ThisIsNotConsent trending on Twitter, protests in several cities, and women across the world sharing pictures of their underwear. The callousness and indifference of social media is addressed when the girls respond to pictures of Bartlett cross-dressing by laughing at his taste in lingerie. Another major issue in the film is, obviously, sexuality. For example, Bex is transgender (as is actress Hari Nef), and after she has sex with Diamond (Danny Ramírez), a fellow pupil, he casually asks her not to tell anyone, and then subsequently blanks her in school. Elsewhere, the girls are shocked to learn that Mark won't go down on Lily, with Sarah proclaiming, "_men who don't go down are sociopaths_." Very possibly.

Unfortunately, because the film tries to deal with so much, many of the issues are raised only to be touched on once or twice, and then dropped. This has the side-effect of making the film seem a little thematically scattershot, and it would have worked far better if Levinson had threaded a core group through the narrative rather than jumping around as much as he does. Aside from dealing with too many themes, if the film has a defining flaw, it's that the last act essentially turns into _The Purge_, wherein the girls, as complicit as everyone else in the early part of the film, now turn into the leaders of a righteous avenging vigilante group facing off against the intolerance born of right-wing jingoism, a conflict drawn primarily along gender lines, although not exclusively (there are a few men on the girls' side, and vice versa). Of the violence, Levinson tells filmschoolrejects.com,

> _it's real people imitating movie violence, in a way. It is informed by the symbolism of film violence._

Hari Nef tells Seventh Row,

> _the context of all of this hate and all of this judgment cues up the violence. You see the source of the violence, and you see the multiple forces — discursively, psychologically, culturally — that lead up to that moment. Obviously, the violence is shocking to see, but the fact that it's going on is as American as cherry pie. It's what happens in this country to people, to women, who are deemed guilty of something egregious. The fact that we get to see it is shocking, but the fact that it goes on should be very familiar._

Nevertheless, it's a disappointingly simplistic _dénouement_ given the complexity and thematic depth of the preceding narrative.

Another problem is that the characters are underwritten across the board, with only Lily and Bex really getting any degree of interiority. Sarah barely registers as a character at all, Em is only marginally better, and none of the other characters are developed beyond their archetypal role – Reagan Hall (Bella Thorne), a self-obsessed cheerleader; Nick Mathers (Joel McHale), Em's neighbour with a secret to hide; Grace (Maude Apatow), Reagan's quiet and submissive best friend; Marty (Noah Galvin), a local computer nerd; Nance (Anika Noni Rose), Em's adopted mother with terrible taste in men; Chief Patterson (J.D. Evermore), Salem's clueless chief of police; Rose Mathers (Susan Misner), Nick's wife; Lawrence Colson (Joe Chrest), Lily's old-fashioned father; Rebecca Colson (Kathryn Erbe), Lily's even more old-fashioned mother; and Donny Colson (Caden Swain), Lily's desensitised younger brother.

Depicting a cultural anxiety that is uniquely contemporary, _Assassination Nation_ is an unexpectedly smart film examining weighty topics of great importance to the socio-political moment, irrespective of your political affiliation. While it is immensely strong (both hilarious and disturbing) in its depiction of teenage gender politics, gun culture, political correctness, online behaviour etc, it falters when it comes to the dynamics of the narrative, setting up several strands which never pay off, and ending a little weakly. Nevertheless, the questions it raises are important ones, and they are asked very well. Levinson isn't interested in providing answers though. That, he suggests, is our job.

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